Tuesday, August 28, 2012

Chasing the Moon


The bar was crowded, even for a Friday night.  This was not the type of town that wasted its time drowning in beer bottles and shot glasses- the population clung to their puritanical roots too much to indulge like that, especially in times like these.  But President Roosevelt had announced the draft earlier that day, and panic led the stolid, less patriotic male population to a night of binge drinking.

After a few minutes of waiting, Conor finally managed to catch the bartender’s eye and motioned for another round.  Even the bartender was looking nervous.  Conor wanted to laugh at the whole bunch- he had no doubt that the war would touch this town no more now than before.  He turned back to the girl next to him with her drink.  “Did I ever tell you about how my parents met?” he asked, leaning on his elbow with a practiced ease and taking a sip.

The girl’s giggle was audible even over the drunken sounds of the panicking patriots.  “I’d say no, since I just met you today,” she said in mock reproof.  He smiled and leaned in closer.

“Oh, right.  It’s strange, but somehow I feel like I’ve known you my whole life.  Maybe we’re just kindred spirits or something.”

She giggled again.  It seemed the giggle was her favorite form of punctuation.  It might have been annoying, except that she was really very pretty, and Conor knew he wouldn’t see her again after tonight.  Even in a small town that was relatively easy.  “Alright, kindred spirit,” she said, sipping her drink.  “Tell me how your parents met.”

“Well,” he said in confidential voice.  “My father, Abraham Matthews, saw the young Miss Walton across a crowded room at a neighborhood party, and time just... stood still.  He went up to talk to her, but she of course hated him from the instant she set eyes on him.”

“Of course she did,” the pretty girl murmured.

“My dad was persistent though.  He wrote her every day to tell her how he felt, just hoping that maybe just one of his letters wouldn’t end up in the garbage.  Even when the first World War broke out, and he went to France to help beat up the Germans, he kept writing letters to her.  And the day he came back, all worn out and unkempt, my mother was waiting for him at the train station.”  The pretty girl smiled.  “They got married a week later, and nine months later...”  Conor touched his chest and leaned in just a little bit more.  Their knees were almost touching now.  “You know,” he added, looking deep into her eyes, just inches away from his own, “My father always told me that I might as well chase the moon as look for a love as pure as the one he shares with my mom.  But I’ve always thought that love is just out there for anyone to find, and long as they look hard enough...”  The pretty girl gasped a little when his lips touched hers, but it didn’t take her very long to wrap her arms around his neck.  She didn’t even protest as Conor’s hand wandered over the cool skin of her hip underneath her delicate cotton dress.

Later, after walking the pretty girl home and giving her one last kiss goodnight, Conor wandered around town, thinking about the story he gotten from a movie poster.  He wondered what it would be like to fall in love, just like the characters in the movie.  A spark when you look into a girl’s eyes, a jolt, a fire, a lightning bolt, and then you’re hooked.  But he had looked into hundreds of girls’ eyes, felt hundreds of sparks of anticipation, and he would never say that he had fallen in love with any of them.  Maybe it was true, that looking for love was like chasing the moon, looking for a dream that could never be real.

He kicked a rock into the gutter.  It didn’t matter in any case.  If love was real, he had years, decades to find it.  And if it didn’t exist, well, he still had years before he had to worry about that.  He had plenty of time.

The next day, the draft letter came in the mail.

...

“Tell us the story again, Mr. War Hero,” the girl said, sidling in closer and fingering his uniform.  He hadn’t wanted to wear it, but everyone had insisted that in order to welcome him home properly, they had to see him show off his patriotic colors to the whole bar.

He took a sip of his beer and traced the wood grain on the table.  “We were escorting several trucks of supplies to the front,” he said for the third time that night.  “And we were passing by all this deserted countryside.  A couple of days into it, we had stopped for the night and everyone was getting the camp ready.  I was a little restless, so I got my buddy Jeff to come exploring with me instead of sitting around the campfire.  We found an old farmhouse, that we thought was abandoned.”  He made his fingers stop fidgeting.  “We were about to go inside when I got a strange feeling, like something bad was going to happen, so I told Jeff to wait until I brought the rest of the squad- just in case.  It took a couple of minutes to get everyone up and ready, but we were almost back to the farmhouse when a shot rang out and Jeff went down.”  Conor paused and took another sip of beer.  “Everybody started panicking, because even though the moon was pretty bright we couldn’t see where the shot had come from.  But then I saw somebody moving near a window in the house, so we opened fire on the windows while the corporal kicked in the door and started shooting.  When we got inside, we found five german soldiers who had stayed behind enemy lines because of their wounds.”  He looked down at his fingers, still moving listlessly along the table, and wished the girl would stop leaning into him like that.  It made him feel like he couldn’t breathe.

“Is Jeff okay?” someone said in an awed whisper.  “Did he pull through?”

“Jeff? He’s fine.  Shattered his shin, but it healed eventually.  The guy who hit him didn’t have that great a shot through the window.” Conor shook his head.  “Jeff got a good deal.  Just a little nick in the leg, but he couldn’t walk for another couple months, so they sent him home.  He wasn’t much use as a cripple, the corporal said.”

“But he didn’t get all these medals though, did he?” the girl asked with a smile, looking into Conor’s eyes.  He closed them.

“I guess not,” he said, taking another swig and finishing the bottle.

Later that night, Conor slid out of bed as gently as he could, to avoid waking the girl asleep on his pillow.  He looked down at her for a while, guilt weighing down his limbs- he hadn’t meant things to go so far.  Even before France he’d rarely let things get so far.  He hadn’t even wanted to kiss this girl, whose name he’d forgotten if he’d ever known it.  She lay curled loosely on the bed, the sheets covering her naked body with more modesty than she had shown.  He closed his eyes against the unwelcome sight; silently he slipped outside onto the balcony and looked up at the bright crescent moon.

He hadn’t wanted to kiss her, but it was the only way he could halt the flow of questions and requests for him to repeat the story.  There had been no moment of anticipation, no jolt, not even a flutter, but she had clung to him when most girls would have pulled back, as persistent as he had once claimed his father was.  She, like the girls before her, hadn’t realized the truth of his story, had allowed herself to be distracted by his kiss, and had distracted him in turn with the warmth of her reception.

But here, bathed in the sharp shadows of night, there was nothing to keep the memories from swamping him- the apparently empty farmhouse, the full moon lighting everything as if was day, the flicker of movement in the window, the sound of the gunshot that shattered Jeff’s bone, the crash of bullets through glass, the thud of the door hitting the floor, the absolute silence that followed.  The sight of the five dead german soldiers with bandages tied around their heads, their arms, their legs.
The sight of the French woman lying gasping on the floor next to her german captor.  The sight of her blood pooling beneath her as she reached to him, Conor, the man who had inadvertently killed her.  The feel of the wet floorboards under his knees as he knelt next to her, though he knew there was nothing he could do, and the feel of her cheek beneath his fingertips.  The sight of the moon reflecting in her eyes as her life drained onto the floor with her blood.

“You did your duty,” Jeff told him bracingly when Conor visited him in the hospital on his way home.  “Sure, if you hadn’t decided to go exploring or called the squad over, she might have lived and I might not be sitting in this God-damned chair right now.  But then again, they might have snuck up on us in the night and killed us all in our sleep.  You went with your gut, and saved all of our lives.”  Conor continued to stare broodingly at a nearby lamp.  Jeff sighed and slugged Conor’s arm lightly.  “C’mon, lighten up.  She’s probably better off anyway, in heaven or wherever.  She’s up in the sky now, wearing all white and floating around on fucking silver wings instead of in this hellhole.  Or maybe she turned into a star, like my momma used to tell me when my dad died, and she’s looking down on you with all her celestial goodness.”  Conor let out a reluctant laugh at this, and tried to appear more cheerful for the sake of his friend.

But as he stood on his balcony and looked at the waxing moon, he couldn’t help thinking about her, imagining her surviving and living into the old age he had deprived her of.  She had probably been graceful and patient, cheerful and witty, hard working but fun-loving.  He imagined her brushing her short black hair, writing a letter, working around the farm, staying in the country for the sake of her elderly father, her brother and sister-in-law, her love of nature.  She was intelligent despite her humble origins, and would stay up nights reading philosophy and history and scientific journals and existential novels after singing her nieces and nephews to sleep.  Someday she dreamed of moving to Paris, or even across the Atlantic to New York, where she would study at university and soak up the culture of a big city.  And eventually she would get married, have kids, and live happily with whatever man was lucky enough to have captured her heart.

He sighed and rubbed his hands over his face.  He glanced back inside, reluctantly considering going to sleep, but froze, startled and unnerved.  For a brief, disconcerting moment, he could have sworn he saw someone standing next to the girl in the bed, looking right at him.  The image was fleeting: he blinked and she was gone, just the product of shell-shock and an over-active imagination.  He squeezed his eyes shut then opened them again.  Nothing was there.  He turned back to his examination of the night sky and the morbid thoughts it called to mind.

The frenchwoman lying in a pool of her own blood.  It wasn’t fair- she had been so beautiful, just entering the best part of her life.  He thought of what her smile might have looked like; as he watched her smiling like the round face of the moon, he imagined his unnamed wishes floating through the atmosphere, weightless shrapnel expelled from his heart to be absolved by her watchful ghost.

...

The nights and days blurred together.  By night, he stared at the moon and forgot about whatever pretty girl had distracted him that day, and who lay asleep in his bed.  By day, he worked at Mr. Jacobson’s furniture store and wandered around the once-familiar streets of the town that was changing before his eyes.  With the end of the war, all of the mobilized citizens of the surrounding country were making the town their permanent homes, ready for a new project to be thrust into their hands.  New residential developments appeared like mirages in the desert, reflecting the houses around them and ready to disappear at the first change in the weather.  Where once only a few passersby would wander the streets, now they were overrun with crowds hurrying off to shops so new the paint was still wet.  Conor let himself be carried by the current, unable to fight the terrifying press of bodies swirling around him.

He stopped in front of one of the new shops, closed his eyes, and thought of the moon.  She was always peaceful, always changing yet always the same, cool and white and distantly sympathetic.  Slowly, the overwhelming noise and claustrophobic wave of the crowd faded away to an unpleasant throbbing behind his eyes- a headache that would never fully go away, or maybe a panic as a gunshot rang out and windows shattered.  He opened his eyes again and looked at the reflection of the crowd in the shop window like a coward unable to face his fear.

A stillness in the never-ceasing flow of movement caught his eye for a moment, another unremarkable person stopping to look at the display.  But as ordinary as this occurrence this may have been, Conor felt the air vanish from his lungs, and he nearly passed out before he remembered how to get it back.  The girl reflected in the glass, superimposed over the utterly ordinary items no household could do without, was so heartbreakingly familiar that Conor felt like he should call out her name and see her smile at him.  But he had never seen her before in his life, and he did not know her name.
She was slightly taller than average, her body slender but not without curves that dispelled the illusion of childishness that her simple pearl-grey dress created.  Exercise had brought two faint spots of color onto her pale cheeks, the only color in her ivory countenance.  Her hair was a silvery-blonde that cascaded down her back like a waterfall of light, only tempered by a few grey ribbons the same shade as her eyes.  Her snowy colorlessness did not take away from her beauty but rather gave her a silvery glow, as if the afternoon sun sought her out specially and shone just a bit brighter where it touched her.  She looked like she was a few years younger than Conor, but the expression in her smoky eyes seemed older than the earth itself.

“Hey, boy, are you all right?”  A hand waved in front of Conor’s face.  His attention snapped back to the present as he turned his head to look at the old man who had spoken.

“Sorry?” he said dazedly.

“You’ve been staring at that window for a good ten minutes,” the old man said, peering at him like he had some infectious disease.

Conor looked around.  The girl had vanished, into the crowd or around the corner.  “Did you see that girl that was looking into the window?”

The old man snorted.  “Boy, I don’t see anything anymore.”  He hesitated.  “What did she look like?”  

Conor described her as best as he could without descending into the corny metaphors that were swirling around his head.  The old man shook his head.  “Nope.  My eyesight must be worse than I thought, to miss a girl like that.”  He started to shuffle back into the shop.

“But do you know her?  Do you know her name or where she lives or-”

“You think I know everybody in this town, boy?  There are so many newcomers here I can barely keep my own family straight, let alone strange girls that disappear into thin air.”  The old man turned away again, leaving Conor to his long awaited thunderbolt.

For the next few days he looked around the streets he wandered far more eagerly than he had before, hoping to catch a glimpse of the ivory beauty.  Several times, he thought he saw her turning a corner, or running in the park, or exiting a shop, but every time he came near he saw that the flash of white glow had been the reflection off a wristwatch, a sunbeam shining through the clouds, the flash of a camera.

Three days after he first saw her in the reflection, he sat on a bench near town hall as the sun began to sink behind the skyline, watching a young boy throwing coins in the fountain for wishes when ray of sunshine caught his eyes.  Blinking, he looked around and saw with an odd shuddering in his core that it hadn’t been a ray of sunshine after all: it was the silvery ghost of the woman he seen in the window.  She was walking hurriedly, her shoes clicking on the pavement as she fumbled through a purse and finally pulled out a coin like the ones the boy was throwing.  He stood up, hardly knowing what he should do or how he could approach her; he started after her anyway.  Her hair rippled in the soft sunlight, and she traveled across the town like particle of dust lit up in a sunbeam.  As he followed her, trying to marshall his thoughts, he imagined that she might float away into the ether if even a tiny breeze disturbed her progress.

Even as the thought occurred to him, she paused, then made her way into a particularly thick part of the crowd.  Irrational panic hardened in his gut, and he made his way quickly through the crowd, occasionally catching sight of a pearly ribbon, an ivory wrist.  But when he came out of the mass of unfamiliar faces, her perplexingly familiar one was nowhere in sight.

The next day he awoke feeling odd, jittery and groggy at the same time.  He was unfocused during work, forgetting what he was supposed to do with sandpaper in one instant, then working with a feverish intensity in the next.  He felt like this was a day when something extraordinary would happen, though he couldn’t focus enough to perceive what that would be.

He worked later than he usually did, absorbed in the near-parallel patterns left by the brush as he painted varnish onto a table.  When Mr. Jacobson finally took the brush away from him and gently shoved him out of the door, the sun had already vanished beyond the horizon, and its last death throes of light had almost dissolved into the oncoming darkness.

He wasn’t surprised to see the silver and white girl standing nearby, her arm around a lamppost and her face to the sky.

He looked at her out of the corner of his eye as his fingers clumsily buttoned up his jacket.  Her pearly radiance had not disappeared with the sun- in fact, it seemed like she was using the temporary absence of her rival to spill even more light into her surroundings.  The dirty, orange glow of the streetlight did nothing to temper her pearl-white colors.

Abruptly, she looked at him, grey eyes meeting hazel.  She studied him for a long moment, locking him in her eyes so that he couldn’t look away; she smiled at him.  He couldn’t imagine a more beautiful smile.

He had to say something, or else she would disappear again.  He cleared his throat.  “Hi,” he said awkwardly.

She looked at him for a while before answering.  “Hello,” she said softly.  He thrilled at the sound of her voice, cool and distant like the stars.  She paused, then continued in the same gentle voice, “Are you just getting out of work?”

He had to clear his throat again.  “Yeah, work.”  He looked behind him at the furniture store behind him, but his gaze swiveled back to the girl.  “Listen,” he began, then fumbled for words.  All the confidence and pick-up lines that had made him the ultimate expert on flirting had deserted him, and he wondered if others ever felt this fuddled when talking to a beautiful woman.  “Listen,” he said again, trying to pull himself together.  “I’ve seen you around town a few times, and every time I see you I wonder who that beautiful woman is.”  Not his best, but he couldn’t take back words that had already been said.

She gave him that breathtaking smile again.  Again there was a pause before she spoke.  “Thank you.”

“My name is Conor,” he said, extending his hand.  “What’s yours?”

Pause.  “Luna,” she murmured, taking his hand lightly before dropping it.  Sharp shivers shot up his arm from where she’d touched him.

“Luna,” he repeated.  “It’s nice to meet you, Luna.”

She nodded in a silent likewise and continued to look at him searchingly.  Abruptly, she said in her soft voice, “There’s a place I know, not far from here.  Would you like to go with me?”

He felt caught in her gaze once again.  “Sure,” he managed.

He followed half a pace behind her and they walked through the deepening darkness and dim orange streetlights.  Luna walked with such a graceful stride that he felt lulled into a dream, the lullaby of her footsteps drawing him further and further into another world filled with silver and black shadows dancing on a waterfall of light.  She turned down a dark alley with a serene confidence and all he could do was follow her.  “So where are we going?” he asked, a faint unease stirring in the back of his mind.  He looked behind him and saw that the alley had taken a turn and he could no longer see the lights of town.

She laughed a little and touched his shadowed hand with her faintly white one.  “Trust me, Conor.”
Shivers flew down his spine.  “That’s not-” he began, but then stopped as they turned another corner into bright moonlight.

Opening before them was the scene of a dream, a fairy tale.  A garden nestled between low walls that shut out the surrounding bleak countryside and preserved this tiny piece of paradise.  Flowers and trees bloomed around a small stream that pooled and flowed with poetic beauty before disappearing beneath the far wall.  The full moon hung over it all and lit the scene with its silver glow. But the most beautiful thing in the garden was Luna, sitting on a stone bench underneath a willow near the stream.  Her own personal glow had grown brighter under the celestial lights, and she sat with her face to the sky as if welcoming it into her soul.

Luna noticed him looking at her.  Smiling softly, she indicated the spot on the bench next to her.  He sat, feeling small and confused next to her.  “I come here every full moon,” she whispered, leaning into him.  His side was warm where she touched it, and her skin was cool.  She tilted her head back to gaze into his face, and for the third time he was caught in her grey eyes.  “I’ve seen you too, Conor,” she murmured so quietly that he almost couldn’t hear her.  “I’ve seen you staring up at the moon, searching...”

“You have?” he breathed, his thoughts deliriously incoherent as her cool breath caressed his cheek.  
“What am I searching for?”  He wondered if he should feel frightened or concerned, but all he could think about was the soft glow of moonlight reflecting off her skin and onto him.  In this dream anything and everything could happen.

Her hand wandered through the air to touch his face; she looked at it with childlike wonder, though some ancient wisdom still seemed to lie in her eyes.  “Love,” she whispered.  “The past.  Life lost.  Some people might say you’ve been chasing the moon...”

“How do you-” he began, but her face closed the small gap to his and kissed him.  In a rush his mind went blank with delicious relief.

She pulled back after an infinite moment, and he struggled to make his thoughts lucid.  There had been a question, but his jumbled words and heart couldn’t frame it; all he could manage was a hoarse, “Who are you?”

She smiled that lovely, glowing smile and leaned in to whisper into his ear.  “Sometimes,” she breathed, her voice taking on a singsong quality, as if she were reciting the words of a poem.  The lullaby gently pulled him deeper and deeper into her dream world.  “Sometimes the sympathetic moon creates the best mysterious, lovely figments of your imagination, born physically through breathtaking wishes,” she murmured, and kissed him again.

Conor awoke the next morning in the field behind the town, the sun hitting his eyes with harsh beams.  He squeezed his eyes shut, then opened them again.  Nothing; reality had finally struggled its way into his dream.  The garden had evaporated into the night, and Luna had vanished over the horizon, leaving him with nothing but memories and a small, odd peace in his soul.

Wednesday, July 18, 2012

Danse Macabre




The cobblestones clatter with hundred of visiting footsteps, the square buzzes with dozens of languages.  The visitors gape at the old buildings lining the square, remnants of an age that the tourists only have a vague sense of- perhaps they're medieval, or eighteenth century baroque, or from this past decade but designed to look old to draw people in.  It doesn't really matter to them: old is old is old, whether it's hundreds of years or only two.

But there is one thing in the square that holds the attention of even the most cynical among them: the clock tower overlooking the square.  At this hour, it stands silhouetted against the afternoon sky, adding to the sinister aura surrounding it.  Its stones are darkened with time and the filth of human history; and with the shadows draped over it, it looks unnaturally black.

Surrounded by dark stones, the clock face itself still shines with splendor.  It always does, though no one has ever been known to tend to it.  The clock face is huge, circles upon circles showing not just the minutes and hours passing, but weeks, months, years, stars as well.  Fanciful reliefs, sculptures, and painted designs decorate the tower.  Devils and angels, flowers and thorns, villains and heroes, and one particular skeleton at the top of the clock face holding a rose and a bell rope, all of them watch the time pass them by.

Tour guides down in the square tell their charges that any records of the clock's construction have been lost to time, leading to rumors that it simply appeared as if it had always been there.  Superstition has always surrounded the tower, they say mysteriously, and stories of ghosts and devils haunt it.  At this point the tour guides drop their voices, leaning in as if to tell the eager tourists a secret: some people think, they whisper, that the tower wasn't constructed by man at all.  The story goes that the ghosts and devils from the realm beyond, on the orders of Death itself, created the tower and brought it into this world.  To this day it stands as a bridge between our world and theirs, the place where all haunted things begin.

One guide is particularly effective.  His group stands silently for a moment, staring at the clock tower with shivers running up and down their spines; but then the guide laughs and they all join in, a little sheepishly.  They move on, off to the next site, still laughing at their foolishness.  They don't notice that they've left someone behind, a girl still staring up at the clock tower.

She looks fifteen or so, but in reality she's older than that, twenty-three or twenty-four.  She's pale, with dark, haunted eyes and short dark hair.  With her height and thin, boyish figure, it's no wonder that most strangers mistake her to be a very pretty teenage boy.

She notices the departure of the tour group, but doesn't move to follow them.  She had only attached herself to them temporarily, listening to the story of the clock tower with an unreadable expression- it might have been amusement, or disdain, or even fear.  But she is only interested in the clock tower, and so lets the tourists move on to the next attraction without her.

She looks up at the clock for a while longer, then looks around at the square.  She stands alone in the crowd of tourists; they gape at the tower and ignore her.

"I thought you were taking me to a sacred place," she says to the empty air.

The empty air answers, whispering in her ear with a woman's smooth murmur.  The girl flinches a little at the voice.  "This is a sacred place, my dear.  The very stones around us sing with potential, can you not feel them?"  The ghost is faintly visible in the late afternoon shadows, if one knows how to look.  She is a beautiful woman with sad eyes, a true lady in carriage, voice, and clothing, the kind who died out a hundred years ago.  A shimmer of blood spatters her elaborate evening dress.

The girl looks around the square again, still skeptical.  "I didn't think a sacred place would be so… popular," she says distastefully.

The ghost touches the girl's hand and looks deep into her eyes.  The girl's hand twitches away and she swallows; but the ghost's eyes hold her still.  "Arabelle, you must trust me," the ghost murmurs.  "You do, don't you?"

"I- of course I do," Arabelle says.  "But, Lady Elaine, I don't think that I-"

"Arabelle," Elaine interrupts in a whisper.  She smiles, though her eyes remain sad.  "I have known you your entire life.  I have haunted the moments of your childhood and the stirrings of your adulthood.  I watched you, and I know that only you can do this.  I am depending on you.  This is the only time in a thousand years this will be possible, and you are the only girl out of seven billion people who is capable of helping me.  You are my only chance to be part of the world again, to be free of this curse.  But for this to work you must do everything I tell you without question.  Can you do that for me, my dear Arabelle?"

Arabelle seems to have lost her ability to speak.  She nods instead, and the ghost finally releases the girl from her hypnotic stare.  "Before the clock tower rests a stone in the earth," Lady Elaine tells her.  "A circle amongst the square cobblestones.  Find it."

Arabelle pushes her way through the crowd and finds the stone.  It is fairly unremarkable; if Elaine hadn't pointed it out, she would never have even noticed it.

Elaine brushes the stone with incorporeal, translucent fingers.  The smooth surface shifts in response, slowly changing into something far more unusual than a cobblestone.  An intricate engraving appears on the surface: a sword woven with vines, thorns and roses.

"Stand on the stone," Elaine orders the mortal girl.  "Do not be afraid.  I am here."

Arabelle looks at the stone, then glances at Elaine.  Her expression hardens.  She takes a deep breath, waits for a large American tourist to step away, then steps onto the altered stone.

The clamor of hundreds of tourists melts away into nothingness.  Arabelle looks around, startled.  The crowd around her hasn't disappeared completely, merely faded to ghostly figures passing vaguely through the square.  Arabelle turns and gasps.  Lady Elaine no longer looks quite so faint and faded.  She still only exists as an echo of a memory, not as a living woman; but with the sun shining on her, even in death her beauty is blinding.

Elaine smiles sadly at Arabelle.  The girl stares at her, some odd emotion stirring underneath the awe on her face.  It's something quite unlike the trust and respect Arabelle has shown so far; but Elaine only sees the admiration.  "The clock tower, Arabelle," she says gently.

Arabelle looks up.  She now stands directly in front of the tower, centered below the clock face.  From this angle, the figures carved in the stone seem to be looking directly at her, grinning fiendishly.  "What next?" Arabelle asks, fear quivering in her voice.

"Just wait," Elaine says, standing behind the girl.  "The sun must be perfect before we can cross."

"And then the trials."

"Do not be afraid," Elaine murmurs, brushing the back of Arabelle's neck with a translucent hand.  Arabelle's shoulders hunch slightly at the cold touch.  "You will be perfect, and I will be beside you the entire time."  She looks at Arabelle with a greedy expression that the girl doesn't see; her eyes linger on the pulse flickering in Arabelle's neck, envy and excitement lighting them with an unbearable beauty.  She is eager for her life to begin again.

The sun shifts slightly, just enough to shine through a single notch at the top of the tower.  The angle is perfect.  The single ray of sunshine falls directly on Arabelle, suffusing her in a gentle glow and separating her from the darkening square.

Elaine moves suddenly.  Stepping forward, she no longer stands behind Arabelle but in the same space.  Her long-dead heart shares the movement and warmth of Arabelle's beating one.

Arabelle cries out at the cold, but the beam of sunlight and the ghost have trapped here on the stone.  The sun shines brightly on the mortal girl and the ghost for one long moment.  Then, with a flash of fire, it disappears completely, plunging the square in complete darkness.

"Whatever happens now, do not move from that stone," Elaine says, standing next to the girl once more.

Arabelle looks at the ghost who has haunted her entire life.  "I won't," she says.  Her voice cracks, but her face is determined as she turns back to the clock tower.

Above them, the clock tolls the hour.  One, two, three- all the way up to twelve, though it had only been four in the afternoon when Arabelle first stepped on the stone.  The twelfth ring vibrates in the air longer than it should, resonating in the stones and Arabelle's bones.  Around the edges of the square, torches spontaneously burst into flame.  They illuminate the square with an eerie flickering light.  What was left of the tourists, the faint echoes even less solid than the ghost, have all gone.  Arabelle and Elaine are alone in the square.

"Elaine-" Arabelle begins.

"You will do wonderfully," Elaine says, cutting her off with soothing tones.

Arabelle shakes her head.  "The trials," she says.  "You never even told me what they are."

Elaine looks around the square serenely.  "That's because I do not know what they consist of, only that you must bear through them at any cost."

Arabelle flashes her a wide-eyed, almost angry look, then turns back to the clock tower before Elaine sees it.  She touches her jacket pocket, where she is keeping something long and thin.

In the ever-changing torchlight, the figures on the clock tower seem to move, dancing in one instant, frozen in the next.  The look down at Arabelle and smile, though their smiles are more like jeers or a savage baring of the teeth.

On in particular seems to be watching her: the skeleton at the very top of of the clock face holding a rose in one hand and a rope in another.  The skeleton grins at her the way skeletons must always grin.  The torchlight flickers, and the rose is by its skull; another flicker and the skeleton has the rose crossed over its ribcage.

Elaine exhales in relief.  "You've been granted leave," she says, no longer so serene now that a small part of her nerves have been eased.  She curtseys to the skeleton elegantly and glances meaningfully at Arabelle; Arabelle blinks, then bows with surprising grace.  "Now say the words, just like I told you," Elaine murmurs.

Arabelle takes a deep breath.  "Rose Death, Flowering Blight," she says loudly.  Her voice shakes but echoes bravely around the square nonetheless.  "I come on wings of shadow and light, and beseech you, open the bridge.  With light and shadow I approach, with blood and spirit I appeal: grant me the mastery, and the grace of your seal.  Light, shadow, blood, spirit.  My life for this request, please hear it.  Rose Death, open the bridge."

An unearthly laugh rings out from everywhere at once, a thousand voices shrieking with malevolent glee.  The stone beneath Arabelle's feet shivers.  The engraving of the sword begins to glow faintly red; then, the glow spills out to race along the cobblestones, lacing the ground with veins of light.  The light reaches the clock tower and climbs it, swirling around the figures sneering down at the mortal girl.

The light gives them life.

The figures peel away from the clock tower, all but the skeleton at the top.  They leap to the ground and jeer at Arabelle with faces both angelic and grotesque.

The skeleton holds up the rose and the demons quiet.  "The words are said, the borders undone," it intones in a deep voice that resonates in Arabelle's bones.  "For she who is not dead, the trials have begun."  The skeleton pulls the bell rope, and a tiny clink echoes in the larger bells above the clock.

A wind gusts down from the clock tower, tousling Arabelle's short hair, though it doesn't seem to have any effect on the waiting demons.  It swirls around her as if examining her; there might be a faint giggle hidden in its folds.  It finishes circling her and makes its way to the other end of the square.

The next gust of wind nearly shoves Arabelle off her feet.  She only barely collects her balance, teetering on the edge of the stone that is her only link back to the mortal world.

The laughter in the wind grows louder, and now there are whispers as well, and the hum of some hellish music.  The wind pushes and pulls at Arabelle while the music swells, a ghostly orchestra playing an infernal waltz.  As the wind circles around the square, they become visible: ghosts, dancing around and around in dark revelry.  They spin around Arabelle, ignoring her in favor of their dance.  But the wind has not forgotten the mortal girl.  It tugs at her clothes and slashes her skin and whispers, always whispering.  The whispers are indistinct, but they cut at Arabelle like poisonous knives.

A tremor suddenly runs through the ground.  Arabelle looks down with wide eyes, just in time to see the earth around her stone crumble and shoot toward her in the shape of thousands of grasping hands.  
The hands wraps around her ankles and dig stone claws into her skin.

"Lady Elaine!" she screams in pain, but the ghost remains where she stands on empty air.

"I'm sorry Arabelle, but these are the trials," Elaine says impassively, watching the girl struggle without the slightest trace of pity.  "I believe you are being tested by the elements, first air, then earth, the fire, then water.  You must endure them."

"Or what?  Endure them or what?" Arabelle asks desperately as the wind shoves her toward the grasping hands of the earth.

"Or die," Elaine says.  "If you do not pass the trials, your life is forfeit.  I thought I was clear about this, my dear Arabelle."

Arabelle stares at her.  "Lady Elaine!" she shouts, but the ghost doesn't move.

Lady Elaine!  The wind picks up her call with gibbering, mocking voices.  Lady Elaine, save me!

And who are you to save? a voice murmurs in her ear.  The ghost materializes, curled around her body like a lover.  A little girl playing at ghost stories must be someone so naive, so innocent.  What do you know of the hells of the world?

"Enough," Arabelle snaps, pushing herself up straight against the wind.  She touches her jacket pocket again, but her hand jumps away from it quickly.  Her eyes drift over to Lady Elaine.  "I know enough."

Ah, she does know, doesn't she, another ghost says, stroking her ebony hair.  She is not so innocent, this one.  A girl playing at being a girl, but she has thoughts of her own, don't you dear.  Who knows what you've done in the dark, alone with the thoughts that float in your head and refuse to disappear.

Inside the cracks in the earth, the imps and demons from the clock tower are worming their way toward Arabelle.  The area between the hands of stone glow red and the demons glow red as well; they grin at the girl as she ducks a reaching claw.

I know, a voice whispers from the air.  Arabelle's eyes widen with recognition and horror; she spins around, but this ghost remains a voice in the wind, twisting around the girl with insidious words.  I know what you've done, Arabelle, who you are, why you are here-

"F-for Lady Elaine," Arabelle says.  "I'm only here to help Lady Elaine, she needs me."

Ah, for Lady Elaine, the voice murmurs.  You are here to help Lady Elaine.  Or is it to help yourself?

The imps and demons reach Arabelle and leap onto her skin.  Tongues of flame flare at their touch.  Arabelle screams and falls to the ground, which allows the fire demons to claw at her further, burning every inch of her skin until soon she will be nothing but ashes blowing in the wind.

For her, or for you, my dear Arabelle?

"For her, for her!" Arabelle shouts through the flames.  The imps jeer and jab their fingers in her face.  She cries out and covers her head with her arms.

The voice laughs as well.  The lies you tell, my sweet child, such dark, sordid lies weaving a web of darkness.  You can never be free of them, can never pretend they aren't yours.  Oh, the lies you tell, my dear Arabelle, the songs that you sing when no one's listening…

The creatures around the girl giggle at this and pick up the song.  The lies you tell, my dear Arabelle, the songs that you sing when no one's listening.  The words dance around her, joining the ghosts and flitting to their music, humming through the earth and poisoning the mortal girl's ears.  The lies you tell, my dear Arabelle, the songs that you sing when no one's listening…

A soft rain begins to fall, a soft rain of diamond-hard waters that sizzle on everything they touch.  Air, earth, fire, and water.  The rain begins to pelt down on Arabelle, denting her burned skin and doing nothing to put out the flames.  All around the edges of the square, a wave begins to build, the kind that snaps the strongest ships with barely a thought.

The lies you tell, my dear Arabelle, the songs that you sing when no one's listening…

I know who you are, the voice giggles.  The songs you sing…

Poor innocent girl, dreaming of hell, the other ghosts whisper to each other.  Poor, wicked child, meddling where she ought not to meddle.

The lies you tell, my dear Arabelle, the songs that you sing when no one's listening…

The wave builds to a crest, ready to break over the square and brush the mortal girl into oblivion.  She won't be able to stay on the stone once the waters flow over her head.  She will be swept into death as easily as any mortal.

The lies you tell, my dear Arabelle, the songs that you sing when no one's listening…

The lies you tell-

"SHUT UP!"

The wave shudders and stops on the verge of breaking.  The imps freeze, their flames flickering feebly.  The wind ceases to murmur deadly whispers.  Everything in the square pauses in astonishment.

Arabelle stands at the center of the engraved, rapier thin, both pale and dark.  The burns or scrapes caused by the trials have disappeared completely.  Her gaze finds the skeleton at the top of the clock face; when she speaks, her words address the Rose Death, and the Rose Death only.

"Rose Death, Flowering Blight, I did not come here for useless tortures," she says clearly, though her voice still wavers.  "I did not come to be pushed away by pain, nor by death.  You have something I need, and I will take it."  Her eyes widen as she realizes something.  "I will take it through light and shadow, blood and spirit!" she shouts.

Lady Elaine comes closer, her face panicked.  "What are you doing?" she hisses.  "The trials are to be endured, not contested!  You will doom me, and yourself!"

Arabelle, does not look away from the Rose Death.  "That was not the trials," she says.  "That was a trick to test my spirit.  The trials are not the elements, Elaine.  The elements have no bearing on the dead, or have you not noticed that in all the years you have been haunting young girls?  Light, shadow, spirit, and blood.  I came here on wings of light and shadow, and now I pay the price.  Spirit and blood."

The imps and demons and ghosts laugh and jeer at this statement.  But none of them come close to her now.

Elaine tries to get the girl to face her, with no success.  "But, Arabelle-" she begins.

"I will not be pushed away," Arabelle says, her eyes fixed on the Rose Death.

The skeleton grins and her and raises the rose into the air.

Arabelle swallows, and she quickly pulls something out of her jacket pocket and mimics the gesture.  The knife glints in the torchlight so that the ancient carvings on the blade shimmer with life.  Elaine stares at it in horrified recognition and shock; she looks at her protégé with doubt flashing through her eyes for the first time.

"Rose Death, Flowering Blight," Arabelle intones, adjusting the words that brought her here.  "I come on wings of shadow and light, and will earn my privilege."  She brings the knife to the palm of her hand.  "With light and shadow I approach, with blood and spirit I appeal: grant me the mastery, and the grace of your seal."  She slices her palm with the knife in a flash of red and the sound of life rushing from a body.  The blood drips onto the engraved stone beneath her.  "Light, shadow, blood, spirit," she shouts, pain lacing through her voice; but she stands straight and proud.  "My life for this demand, please hear it.  Rose Death, I have earned my privilege!"

The ghosts and devils and waters and winds and the very stones shriek with laughter.  But Arabelle does not lower her hand.

The blood dripping from the wound slows in the air before it hits the ground.  It collects together, sparking with fire and life, twisting and swirling until it resolves into the form of the skeleton, the Rose Death, Flowering Blight, standing before the mortal girl.  It grins at her through rotten, decomposing teeth.

"You would have us grant you a gift to be borne once in a millennium," the Rose Death says.  Its booming voice shakes the earth and lingers in the air long after any echos have died.

Arabelle crosses her bloody hand over her chest.  "I would," she says in her pitiful human voice.

"You would have us grant you mastery of death, the power to give and the power to take," the Rose Death says.

"I would."

"You would have us grant you the responsibility of life, and the weight of its blood on your soul."

"I would."

The lies you tell, my dear Arabelle, the imps sing, but the Rose Death holds the rose in the air and they fall silent once more.

"The time is right, the words are said, the offering painted with lifeblood red," the Rose Death declares.

"The trials are won, the threshold broken, accepting this, my spirit's token," Arabelle answers.

She raises her bleeding hand once more and wraps it around the bace of the rose and the Rose Death's decomposing bones.  The inch-long thorns pierce her hand all the wall through, but she doesn't cry out or remove her hand.  The Rose Death grins and bows its head.

A red light shimmers beneath their interlocked fingers: Arabelle's blood.  The glow creeps up the rose, changing the flower as it moves.  The rose lengthens and straightens; the thorns piercing Arabelle's skin curl and connect around her hand.  When the glow reaches the blossom at the top, it explodes into a blinding light.  The creatures hovering around scream and dart away from the light even as it streams back into the changed rose.  As it flows in, it drags something pale and ghostly from inside Arabelle along with it; the Rose Death follows it from this existence and weaves itself into another.

The light fades slowly.  Arabelle is left holding a sword alone where once she shared a rose with a skeleton.  The sword seems to be made of pure gold, yet it is somehow stronger than any metal known to the world.  The hilt wraps her hand in and intricate embrace, almost a part of her hand.  The blade stretches above her hand, as sharp and needle-thin as the girl herself.

This is a sword stronger than death itself.

The demons and ghosts shrink away from her as she looks up at her new weapon.  They know what this sword is, and what it is capable of.  Only Lady Elaine drifts closer, looking at Arabelle with that greedy expression.  She also knows what the sword is capable of, but does not fear it.  This is what she has worked toward for hundred of years, since the moment of her death.  She waited patiently for the right time and searched endlessly for the right person; she groomed Arabelle through her childhood so that when the time came, the girl would give Elaine what she so desperately craved.  She knows that Arabelle will not disappoint her.

"Arabelle," she murmurs.  "My dear, it is time."

Arabelle barely stirs, still looking up at the sword.  "Time…" she repeats, without seeming to understand the word.  "At last…"

Elaine peers at the girl's face, that flicker of doubt showing once more.  But Arabelle couldn't possibly disappoint her, not after all these years.  "Arabelle?" she asks uncertainly.

Arabelle finally looks up and smiles.  "Lady Elaine," she says.  "It's time for you, isn't it.  Sorry, I was distracted."

Elaine's excitement shines in her eyes.  "It's quite all right, my dear Arabelle.  But if you would, please…."  She holds out the memory of her hand.  "Give me my life back," she whispers.  "A single pinprick, and I can live again.  Just a pinprick."

Arabelle lowers the sword.  She moves it as if she was born with it in her hand.  She points it at Elaine's hand.  "A single pinprick, you say," she murmurs.

"Just enough to draw blood," Elaine says eagerly.

"Of course."  Arabelle looks at the sword, then smiles at Elaine.  Th ghost smiles back, gleefully anticipating her new light- but then her smile falters and she takes a step back, staring at Arabelle's face.

"Arabelle?" she says.

The mortal girl with the immortal sword, her face now distorted with hatred, lunges toward Elaine and plunges the blade into her long-dead heart.

Lady Elaine chokes, ghostly blood rushing into her still lungs and translucent throat.  She looks at her protégé with wide, pain-filled eyes as she sinks to the ground with the sword still lodged in her chest.

Arabelle knees next to her, watching her face.  "You're a fool, Lady Elaine of Elmsdale," she said, her voice dripping with spite.  "Did you really think I didn't know what this sword could really do?  That I would just use it to help you and leave it at that?  You have haunted every moment of my life, tormented me without rest until I almost couldn't bear it, all the while thinking that you were guiding me, or saving me from some mundane existence.  I would have lived an ordinary, happy life if it wasn't for you, one with a living mother and father, one with friends and lovers and neighbors.  I long for that mundane existence your saved me from."  She pauses, then reaches for the dying ghost.  She strokes Elaine's hair gently, the way Elaine stroked her hair for so many years.  "You have been waiting a long time for this moment, but so have I," Arabelle murmurs.  "I've been waiting for this chance to liberate myself from you.  From all of you," she adds in a louder voice, standing once again, thin and hard like the sword stuck in the ghost's heart.  The creatures of darkness look at her in fear: the mortal girl who could give them life, or a death beyond death.  "For all of time you have haunted us, stealing mortals and holding them in hell for eternities.  I will change that.  The dead should be dead," she says, looking down at the dying ghost at her feet.  "The dead should be dead," Arabelle repeats quietly.  She bends over and slides the sword out of Elaine's chest.

The ghost gasps and dissolves into a cloud of smoke, then to nothingness.  A death beyond death.  A death worse than death.

Arabelle straightens, holding the sword.  She looks around the square with a small, hard smile on her face.

The war has begun.

Saturday, May 5, 2012

Behind the Wind-Up Dancers


She couldn’t remember why she came here.

The train station bustled, but she felt outside of that sense of purpose, alone. Two trains and a bus after her impulsive decision, and now she could no longer feel the gripping urgency that brought her. Instead she stood uneasily, suddenly hyper-aware that this was not her place, that she shouldn’t be here. She wondered how all these other travelers could stand the loneliness.

Overhead a speaker buzzed with a disembodied voice announcing that the 4:27 from Grand Central was delayed due to technical difficulties. She thought of a clockwork train, unable to move because it’s missing a tiny but vital gear. Such a small piece, hiding behind the wind-up dancers, just barely visible when she looked hard enough-

Someone pushed past her, and the memory slipped away. A clockwork train? She didn’t even know if those existed.

Why had she come here?

She made her way over to a bench, disconcerted by the feeling of panic rustling in her stomach. It had dogged her ever since she woke up this morning. This feeling like she was forgetting something.

Her phone buzzed. She pulled it out of her pocket and tapped the screen. In big letters it said, “Mike’s birthday party; Today 4:30 pm; Notes- remember the cottage cheese dip, it’s his favorite! :)” She looked blankly at the alert, then deleted it.

She flicked through her phone, looking for nothing in particular. She shifted the heavy music box on her lap to a more comfortable position. She dug through her bag for some gum, then changed her mind and put the pack back in. For a few minutes she played solitaire, before giving up and putting the phone back in her pocket. Immediately she took it back out and flicked through to texts. She touched the fourth one down, the only one she hadn’t replied to.

The text was from herself. From this phone, sent at five-thirty that morning. But she couldn’t remember sending it.

“San Vicente train station, 4:30 p.m, platform 2. Bring the music box.”

She closed out of the text and put her phone away. She shouldn’t have been there, no matter what enigmatic texts her phone decided to send her, no matter how restless her dreams were the night before.

She glanced up at the sign for platform two above her, then looked out in the crowd, and wondered if she was just imagining that the man holding a box and walking past her looked familiar.